Reprinted from utube
Published on Jul 21, 2014
About the group:
It is artistic directors Dwight Rhoden and Desmond Richardson’s lifelong appreciation for the artistic & aesthetic appeal of the multicultural that forms the cornerstone of Complexions Contemporary Ballet’s singular approach to reinventing dance. Founded in 1994, Complexions’ groundbreaking mix of methods, styles, cultures has created an entirely new and exciting vision of human movement over the past 20 years.
Complexions has received numerous awards including the New York Times “Critics Choice” Award. It has appeared throughout the US, including the Joyce Theater/NY, Lincoln Center/NY, the Brooklyn Academy of Music‘s/NY, the Mahalia Jackson Performance Arts Center in New Orleans, the Paramount Theatre in Seattle, the Music Center in Los Angeles, and the Winspear Opera House/Dallas.
Photo taken by Complexions Dance Company
The Company has appeared at major European dance festivals including Italy’s Festival of Dance for four consecutive years, the Isle De Dance Festival in Paris, the Maison De La Dance Festival in Lyon, the Holland Dance Festival, Steps International Dance Festival in Switzerland, Łódź Biennale, Warsaw Ballet Festival, Kraków Spring Ballet Festival, the Dance Festival of Canary Islands/Spain, and Le Festival des Arts de St-Sauveur/Canada, and in Korea, Spain, and Australia.
The company’s foremost innovation is that dance should be about removing boundaries, not reinforcing them. Whether it be the limiting traditions of a single style, period, venue, or culture, Complexions transcends them all, creating an open, continually evolving form of dance that reflects the movement of our world—and all its constituent cultures—as an interrelated whole.
It is Rhoden and Richardson’s unique career paths that have paved the way for them to re-define dance—as their multifaceted resumes will show, neither has ever been comfortable with his art being placed in a box. Instead, from E! to PBS to VH1, from Cirque de Soleil to the Joffrey Ballet, the two have allowed the transformative power of their art to flow freely throughout the entertainment world—their creative vision restricted by nothing but the limits of the human body itself.
Together, Dwight Rhoden and Desmond Richardson have created in Complexions an institution that embodies its historical moment, a sanctuary where those passionate about dance can celebrate its past while simultaneously building its future. In the 20 years since its inception, the company has born witness to a world that is becoming more fluid, more changeable, and more culturally interconnected than ever before—in other words, a world that is becoming more and more like Complexions itself.
Featuring choreography by Dwight Rhoden that "grabs the viewer by the eyeballs and refuses to let go" (Dance Magazine), Complexions celebrates its 20th Anniversary season by showcasing the diversity of its repertory and the brilliance of its artists. On a program of repertory favorites and premieres, Artistic Directors Rhoden and Desmond Richardson salute the company's inaugural 1994 performance with appearances by special guest artists, including the phenomenal Desmond Richardson. Highlights include the premiere of Rhoden's The Groove, set to the music of legendary New Orleans jazz musician Terence Blanchard, and Rhoden classics like Hissy Fits and Ave Maria. Completing the program are Surface, the 2008 work by Jae Man Joo, a new work by Marcelo Gomez, and the ballet Duo by William Forsythe.
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The Groove is a premiere piece that reflects the House Music scene of the 80's, Not Terrence Blanchard's music, which is being collaborated with a new piece also called Head Space
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