In 1969, at the height of the civil rights movement, Arthur Mitchell and Karel Shook founded Dance Theatre of Harlem. Their vision remains one of the most democratic in dance.
In moments of extreme injustice and frustration the most impactful art is born. This is true of the inception of one of the most influential American ballet companies of the last five decades, Dance Theatre of Harlem.
Arthur Mitchell created the company in New York City, after making history in 1955 as the first black principal dancer at New York City Ballet. He was also the famed protégé of George Balanchine—the Russian-born dancer, choreographer and co-founder of the School of American Ballet. Mitchell’s impulse to start Dance Theatre of Harlem is said to have been spurred by the assassination of Martin Luther King Jr. on April 4, 1968.
Working in Brazil on a commission from the American government to assist in the founding of the National Ballet of Brazil, Mitchell decided to return to the US to try to make a difference in his community by teaching ballet classes in his native Harlem. At the height of the civil rights movement, in a graceful moment of artistic resistance, he created a haven for dancers of all colors who craved training, performance experience and an opportunity to excel in the classical ballet world.
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